2014 നവംബർ 5, ബുധനാഴ്‌ച

Coming Home (2014)
"Gui lai" (original title)

  -  Drama
Lu and Feng are a devoted couple forced to separate when Lu is arrested and sent to a labor camp as a political prisoner during the Cultural Revolution. He finally returns home only to find that his beloved wife no longer remembers him.

Director:

 

Gong Li plays Wanyu, the devoted wife of Yanshi (Chen Daoming), an intellectual sent to prison during China's Cultural Revolution. Their daughter Dandan (Zhang Huiwen) grows up resentful of a man whose effective outlaw status has adversely affected their standing in the schoolroom and in society. When his long imprisonment finally ends, Yanshi returns to his family – only to find that Wanyu no longer recognises him.

There's a lot to appreciate in Zhang's bittersweet (emphasis: bitter) film. The tragedy of this love story plays out in beautifully devastating images: Wanyu waiting with a painstakingly hand-made sign at the train station for a man she won't recognise anyway; Yanshi sitting with a chestful of letters, each filled with cramped, light-starved words pledging love for a family he might never see again. There's an unmistakable undercurrent of political darkness here, too: the Cultural Revolution has, quite literally, robbed Yanshi of his identity, and returned him to his wife a stranger. 
When placed in the larger context of an oppressive China, the film and its sad, broken romantic centerpiece make a lot more sense. On its own terms, however, the love story at the heart of Coming Home is only barely-disguised melodrama – and thus, more likely to frustrate than engage.

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